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The last time Angelina Jolie received an Oscar nod was for playing a mental patient in 1999's Girl, Interrupted, for which she took home the statue for Best Supporting Actress. To give you an idea of how long ago that was, consider this: Winona Ryder -- and not Jolie -- was a box-office draw back then.

Now, after years of strong and sometimes overlooked performances (ahem, A Mighty Heart), Jolie is once again receiving battalions of Oscar buzz, this time for her role in Clint Eastwood's Changeling (get your exclusive first look at the poster above).

Based on real events that transpired in 1920s Los Angeles, Changeling is the tale of a mother (Jolie) whose abducted son is seemingly returned to her by the LAPD. Turns out the boy is not her flesh and blood, however -- or so she adamantly claims -- and thus Mama Jolie sets out to wring the truth from a corrupt police department unwilling to listen to her.

Changeling opens in limited release Oct. 24 and expands wide on Oct. 31.

As we've started to get our fair share of trailers for the coming prestige projects -- Frost/Nixon, The Soloist, Zack and Miri Make a Porno -- I was curious as to why we'd yet to get one for Clint Eastwood's period drama, Changeling, if it were set to open by the end of next month. Particularly after Kim's Cannes review, I wanted to get a proper glimpse beyond a brief clip...

Perhaps hearing my prayers or just tiring of my complaints, Yahoo! Movies saw fit to post the trailer (watch it after the jump as well), in which a young mother (Angelina Jolie) in 1928 Los Angeles finds herself standing up against a corrupt police department when her missing son is returned, or rather replaced by a different child altogether.

Even if the same piece of score hadn't been used in both of their trailers, I'd still have felt a need to draw a correlation between this and last October's missing-kids-and-corrupt-cops powerhouse, Gone Baby Gone (of course, it doesn't hurt that Amy Ryan shows up in both of them). From Eastwood's end comes a particular tinge of Mystic River, and so far as I'm concerned, all of those signs point to something substantial waiting for us when Changeling opens in limited release on October 31.

Some people may consider the New York Film Festival a simple "Best Of" sort of event, but the fact that it compiles selections from earlier film fests and merely showcases them in a competition-free program is what I love about it. For those of us New Yorkers who can't always make it to the highlands of Utah and Colorado or the exotic seaside locales of Italy and Southern France, it's nice to know that major festival highlights will likely make their way to Lincoln Center in late September, early October.

This year, the lineup for the 46th NYFF is being noted for its inclusion of films that previously screened at Cannes back in May. Even Steven Soderbergh's four-hour Che (aka The Argentine and Guerilla), which played to mixed reactions in France, even while picking up a best actor prize for star Benicio Del Toro, has been given a spot. Also featured are Cannes leftovers Waltz With Bashir, Wendy and Lucy, Grand Prix-winner Gomorrah and Clint Eastwood's Changeling, which stars Angelina Jolie and has the honor of being NYFF's centerpiece film. Opening the festival is the Palm d'Or winner The Class, while the closing film is Darren Aronofsky's The Wrestler, which premieres a few weeks prior at the Venice Film Festival.

Other exciting big name films include Mike Leigh's Happy-Go-Lucky, Wong Kar-Wai's Ashes of Time: Redux, Lucretia Martel's The Headless Woman and Olivier Assayas' Summer Hours. Surprisingly, Charlie Kaufman's Synechdoche, New York, which screened at Cannes, is New York appropriate and is scheduled to open in October, is missing from the lineup.

The complete list of NYFF selections, courtesy of The Hollywood Reporter, can be found after the jump:

Remember how we told you about six weeks ago that it looked like Tom Cruise's next project would be an espionage thriller called Edwin A. Salt? In fact, the news was that Cruise was going to do Edwin instead of the political thriller The 28th Amendment. Well, now it looks like he's not doing either one. He's changed his mind on Edwin, and now the star of the film is going to be ... Angelina Jolie.

I'm not sure I would have considered Tom Cruise and Angelina Jolie interchangeable, but that's Hollywood for you. According to Variety, Cruise was the latest in a long line of actors who have expressed interest in the project over the years, and after he backed out, Jolie threw her hat in the ring. The deal is pretty much set, and it was thrown together very quickly. I guess when Angelina Jolie says she wants to headline your spy thriller, you bring some people in over the weekend to hammer out the details.

The screenwriter, Kurt Wimmer, will make adjustments in the script to accommodate the protagonist's new gender, and obviously the title will have to change slightly. (Edwin A. Salt = Edwina Salt?) But considering Jolie has already played an action hero successfully in Mr. & Mrs. Smith and this summer's Wanted (pictured), I suspect all that'll really be necessary is a find-and-replace search of the character's name. It's not like Wimmer will need to incoporate a scene where the spy gets her nails done or goes shoe shopping.

So now the question is: After next year's Valkyrie, what will Cruise's next project be? I think Edwin would have been a great fit for him. Of course, f I were the one making Cruise's career decisions, a lot of other things would be different, too, so never mind what I think.

Last night Cinematical's James Rocchi was a guest on G4's Attack of the Show, where he and Chris Hardwick spoke about all those crazy Batman rumors spreading like wildfire across the internet. Ya know, how Angelina Jolie supposedly wants to play Catwoman, Philip Seymour Hoffman as the Penguin and/or Johnny Depp as Riddler.

As James points out, these are all "just rumors" right now and there's no way of telling which characters Christopher Nolan and his screenwriter brother Jonathan Nolan have in mind without actually speaking to them. It should be noted that Cinematical has also confirmed that Chris Nolan currently does not have a deal to direct a third film, and if he does hop onboard, they'll have to negotiate something first. But enough of my babbling, check out James above, and much thanks to Attack of the Show for inviting us on.

It has begun.

Not even two full weeks after The Dark Knight arrived in theaters, we officially have our first Batman 3 rumor! (Speaking of, we have to decide what to call Nolan's next Batman movie. Dark Knight 2? Batman 3? NolanMan 3? Lets get on that ...) But anyway, the rumor actually comes from another Catwoman: Julie Newmar. Speaking to the New York Daily News, Newmar says, "Angelina would own the part. My industry friends tell me [she] has made inquiries about the role." She went on to add, "I can understand how it would pique her interest. Catwoman is Batman's one true love. She's tremendously popular with women because she's both a heroine and a villainess. When you look at the staggering box office of this current film, which actress wouldn't want to jump in?"

So is Jolie really looking to play Catwoman in a third (and possible final) Batman film from Christopher Nolan? No doubt Bale and Jolie would look good together on screen, and the woman definitely knows how to hold her own when it comes to action. What do you think? Do you Bat-fans want Brad Pitt's gal in Gotham City?

Man, has this day brought us news of film-based video games aplenty -- one of which you can play for free right now and the rest of which some of you simply can't wait for.

But you'll have to. Wait, that is. They haven't made the darn things yet. Sheesh, hold your horses already.

Trade publication Variety tells us of these titles over the course of two separate articles. One piece points out Universal's plan to crank out several games based on their properties, but only names their highest-profile property at the moment: Wanted. If any of you have seen the film (and a $123 million gross would suggest as much), then you know just how well it should lend itself to the format, what with the bullet curving and knife fighting and Angelina Jolie ogling.

After the record-breaking success of Night Watch and Day Watch (and an early film for B-movie maven Roger Corman, Arena), Khazakstan-born, Russia-based director Timur Bekmambetov makes his English-language big-studio debut with Wanted, a bruising, brawny action film starring James McAvoy and Angelina Jolie. Bekmambetov spoke with Cinematical in Los Angeles about making the jump to big-money moviemaking, the hidden world of secrets behind Wanted's look, the action-film apprenticeship of James McAvoy, working with Angelina Jolie and how " .... we (film makers) are all vampires. ..."

Cinematical's podcast content is now available through iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:



As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.

In Wanted, rapper-actor Common plays The Gunsmith -- a cool, deadly expert marksman who mostly lets his bullets do the talking. But meeting with Cinematical in Los Angeles, the veteran of films like Smokin' Aces and Street Kings is warm and obviously enthusiastic about his experiences, talking about everything from his preparation process for playing what he calls "a Samurai warrior" in Wanted to the challenges facing African-American actors -- plus what's good to drink in Prague and how holding a real gun to James McAvoy's head can get you in the moment for your scenes.

Cinematical's podcast content is now available through iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:



As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.

Steve Carell scored big this week recreating the role of Agent Maxwell Smart in Get Smart, providing the best opening weekend ever for a film with Carell in the lead. The Incredible Hulk fell into second place for its second week but Hulk and Kung Fu Panda both outdid last week's other new release The Love Guru. Here are the totals:

1. Get Smart: $38.6 million
2. The Incredible Hulk: $22.1 million
3. Kung Fu Panda: $21.9 million
4. The Love Guru: $13.9 million
5. The Happening: $10.5 million

Two wide releases this week, a heartwarming comedy for the whole family and a stylized action adventure shoot-em-up for the older crowd.

WALL-E
What's It All About: Disney/Pixar is back with the tale of a lovable sentient trash compactor. WALL-E has been alone on the abandoned Planet Earth for hundreds of years, but he discovers a new purpose when he meets a robot named EVE. Apparently WALL-E has stumbled upon the key to the planet's future, a solution which the human race eagerly awaits.
Why It Might Do Well: The trailers look promising and WALL-E is written and directed by Andrew Stanton, who served in the same capacity on Finding Nemo, Pixar's most financially successful film to date. Plus, our star has the cute going on.
Why It Might Not Do Well: Science fiction writer Isaac Asimov described a condition called The Frankenstein Complex, which is a fear of robots -- but look at the little guy. Did I mention he's cute? This is easily next week's number one flick.
Number of Theaters: 3,900
Prediction: $70 million